FCMEA Visiting Scholar Pilot Program
AWARD: UP TO $1500
DEADLINE: JANUARY 3, 2025
PURPOSE
To invite an expert on a certain topic in music education. The guest scholar would come to the chosen campus during the Spring 2025 or Fall 2025 semester and provide 3-4 sessions on a united topic.
DESIRED OUTCOMES
(1) To impact university students – It is desired that music education majors at your university and the surrounding higher education institutions will be positively impacted by attending workshops and presentations from an expert in the field. (2) To impact FCMEA Members – All sessions must be recorded and made available to other members through the FCMEA website. It is desired to build a high-quality digital library of guest scholars so that FCMEA members can integrate high-quality pre-recorded presentations into their teaching and learning.
AWARD AMOUNT
Up to $1500 (reimbursement for expenses + optional per diem)
ELIGIBILITY
Active membership in the Florida College Music Educators Association.
PROPOSAL GUIDELINES
Proposals will be accepted until January 3rd, 2025 11:59 pm. Be prepared to provide
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Short description of the proposed visiting scholar’s topic and presentations (visiting scholar(s) must agree to have their presentations filmed for educational use).
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Guest scholar’s bio and connection to topic(s).
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Strategic Reason for FCMEA to consider the present topic
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University host's ability to accommodate a guest and high-quality video recording of sessions.
All expenditures covered by this grant must be completed by December 31 of 2025. Award recipients will be announced during the FCMEA business meeting at the FMEA Professional Development Conference in January.
PROPOSAL REVIEW PROCEDURES
Proposals are evaluated by the FCMEA Professional Development Committee. Reviewers will consider the following criteria: TBA
SAMPLE PROPOSAL
Description: Dr. Rachel Grimsby (James Madison University) is an expert on accessibility in music education. She will come to the [university] campus during the Spring 2024 semester to provide four special sessions on accessibility in music education:
1. Disability Theories and Music Education
2. Common Discord: Collaborating with Special Education Paraprofessionals in the Music Classroom
3. Assistive Devices in the General Music Setting
4. Using Children’s Literature to Guide Important Conversations
Guest Scholar Bio: Dr. Rachel Grimsby has over fifteen years of experience teaching elementary general music and choir. Her research interests, while varied, are centered in teaching music to students with disabilities, preservice music teacher preparation as it relates to teaching music to students with disabilities, and the relationship between music and language acquisition. She has been published in the International Journal of Music Education, Arts Education Policy Review, Journal of Music Teacher Education, International Journal of Music Education, Research Studies in Music Education, Qualitative Research in Music Education, Journal of General Music Education, Music Educators Journal, and the Orff Echo.
Strategic Reason for FCMEA to consider the present topic: Accessibility in music education can be intimidating. The landscape of diagnoses and adaptations for learners with individual needs is constantly in flux and it can be difficult to stay current. The sessions would improve collegiate teaching at Florida colleges and universities by having an expert in the field share the latest findings in theories, pedagogical adaptations, and awareness of assistive devices for music educators. This in turn improves the preparedness of faculty to teach accessibility to their students in courses such as “Music in Special Education."
Accommodations: I am able to schedule the proposed presentations during two music education classes, a school of music common hour, and a music education forum (spanning Thursday morning-Friday early afternoon). I will work with the head of tech at my school of music to set up and use two high-quality streaming cameras. I will work to edit A and B reels using my own software to create a presentation to ensure a high-quality presentation for digital viewers.
Past Winners
DR. PATRICK COOPER, ASST PROF.
FLORIDA INTERNATIONAL UNIVERSITY
DR. BRANDON MCDANNALD, ASST PROF.
UNIVERSITY OF TAMPA
"Accessibility Week – Music Education for All"
The purpose of this project is to describe the impact of sessions on accessible music education from an expert in the field on preparedness to work with students with differing abilities for music education majors at Florida International University. Accessible music education will be defined as music teaching that allows for participation and active engagement by all students regardless of individual ability or diagnosis. Preparedness to work with students will be defined as knowledge of theories and pedagogical adaptations for accessibility, comfort working with students with individualized special needs in the future, and awareness of assistive devices and other resources to promote accessible music education.
"Making the Music Education Major Transition from Florida Community Colleges to University: AA to BME"
With the rising cost of higher education, a two-year community college can be a great fit for some students, especially those at the lower end of the socioeconomic scale, as they look to begin their music education degrees. The aim of project is to help determine common practices among select community colleges in Florida that offer associate's degrees routinely leading to music education student transfers. Determining the preparation level of students transferring into universities should help advise four-year music education programs how best to help their community college transfers for their transition
DR. JACOB BERGLIN, ASST PROF.
FLORIDA INTERNATIONAL UNIVERSITY
"The Path From HSIs/HBCUs To School Music Teaching"
The purpose of this ongoing research will be to explore the experiences of students pursuing a music education degree at Hispanic Serving Institution (HSIs) and Historically Black Colleges/Universities (HBCUs). The desired outcomes will be a greater understanding of the factors involved in the decision to pursue a music education degree, barriers to entry, and how colleges can mitigate those barriers.